The Dean used to be a strip club, The Siren is a historic building, and Hotel Peter & Paul was a church. What makes you drawn to these existing structures?
From a civic and city building standpoint all of the hotel projects we’ve done have been really underutilized or noxiously utilized and they were all at risk of imminent demolition. That’s one of the really gratifying things, you’re not only like preserving and saving these important buildings, but you’re creating something that’s hugely additive to the host community, you’re creating hundreds and hundreds of jobs, millions of dollars a year of economic impact, and you’re taking something that was blighted yesterday and turning it into a point of pride for the entire neighborhood or city tomorrow. I think one of the cool things for guests who are coming to these places are kind of connecting the dots from their past life to the present. And you don’t get that if you stay in a new box somewhere.
Detroit has gone through a lot of turbulence in our lifetime, what made you feel it was the right time to open The Siren there?
It was a little bit happenstance. I had a few people who were in my life who I trusted and respected their opinions that kept telling me I should go check it out and I always wanted to go there as a student of cities, sort of the great American tragedy, how did we let this powerful city get to this point that it was brought so low, I was expecting so much doom and gloom and ruinpoir. I must have just gone at the perfect time because all of that still existed but I saw the very early green shoots of progress happening there. At that point the entire city government was pretty much shut down so people didn’t need to pull permits for things, it was the Wild West. It felt to me like something was happening there.
That one day I saw this abandoned skyscraper downtown, the Wurlitzer building, and it had a little residential sized for sale sign on it, which is ridiculous hanging on a 14-story building. We ended up buying this building; a lot of people had assumed that there was no way to save it, that it would need to come down, and that wasn’t really the case.
If you haven’t been to Detroit recently it’s definitely worth a visit because what’s happened there in the last five years is pretty astounding. I’ve never seen it anywhere else I’ve spent time; it’s gone from feeling almost completely devoid of activity to being like a cooler Willamsburg now.
The design of the Siren also evokes an older version of the city, perhaps to capture its former glory…
We did a bunch of research on what Detroit was like in the teens and twenties and it was like, they called it the Paris of the midwest, it was this extremely cosmopolitan, polished, elegant city that had these grand old hotels with ballrooms and people had to wear gloves…we wanted to create and recapture that romance that existed.